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JOSEPH BEUYS STANDS ALMOST ALONE in post-war German art as a sculptor of major importance. Born in Kleve in 1921, he first became known in the late 1950s as the leading advocate of Fluxus “action art”—performance pieces whose American counterpart is the early Happenings of Kaprow, Oldenburg, Paik and Whitman.

Dec 23, 1978 · Moreover, as Heiner Stachelhaus writes in his Joseph Beuys, trans. David Britt, New York: Abbeville Press Publishers, 1991, p. 91, Beuys’ famous “Aufruf zur Alternative,” which first appeared in the Frankfurter Rundschau on 23 December 1978, was the “fundamental document” of the social program of the Green party. As Beuys said, social ...

(Already Beuys is considering death; the trees he intends to plant at this year’s Documenta will outlive him.) Perhaps it is more interesting than that: in making a site for the Fettstuhl Beuys is researching his own career, providing a rationale for his earlier stance, while expressing doubts about the possibility of emotional return.

The private and public mythology of Joseph Beuys, to give an example from art history, could only be developed and maintained on the ahistoricity of esthetic production and consumption in postwar Europe. The substantially retarded comprehension of European Dada and Russian Constructivism, and their political as well as their epistemological ...

Just five months after Beuys’s press conference, the signing of the new student party’s charter was documented in another photograph (both were taken by Ute Klophaus, legendary visual chronicler of Fluxus and Happenings): Beuys, Johannes Stüttgen (one of Beuys’s students at the time and a close ally), Fluxus composer Henning Christiansen, and the poet-critic-educator …

Oct 1, 2012 · Curated by Eugen Blume. The first major Joseph Beuys exhibition in Moscow proposes the artist’s work as a site of inveterate turbulence, a hodgepodge of visceral didacticism, and calls for social transformation that serially engages the East within the West.

Beuys had wished to present, for the first time, a selection of drawings from his “Ulysses” cycle, Joseph Beuys verlängert im Auftrag von James Joyce den “Ulysses” um 6 weitere Kapitel (Joseph Beuys, under commission from James Joyce, adds 6 more chapters to Ulysses, 1959–61). Since Beuys had not made his selection before his death ...

Oct 28, 2006 · Whereas the legitimacy of creating a connection between the vitrines and drawings of the couldn’t-be-more-different artists is questionable—and possibly too literal—Spector’s juxtaposition of Barney’s Field Dressing, 1989–90, and Beuys’s Eurasienstab (Eurasian Staff), 1967–68, occasions a mind-spinning reevaluation of the odd ...

May 1, 2004 · Joseph Beuys’s commitment to his final major project, “Difesa della Natura” (Defense of Nature), 1972–86, is captured faithfully in this museum-quality exhibition. Carried out mostly on the estate of his patrons Baron “Buby” Durini and his wife, Baroness Lucrezia de Domizio, during the last fifteen years of his life, the project ...

It deprives Beuys of his utopian as well as his social dimension. It prepares the way for what we can already observe as a dangerous approach among other critics currently dealing with his work. Beuys is being stylized into a museum and art-market artist who is assigned the inconsequentiality of the classic.